法國情調

10-1.C

與朋友青約好，帶著女兒到藝術館看新展出的龐畢度中心借出的幾十幅名畫。
印象深刻的：

Francis Bacon的”室內的三個人像”，畫中的模特兒是他男友，後來自殺了。那三個連在一起為一幅畫（或是一個意念）的繪圖是畫家獨特的風格。
但我看到那模糊不清的男體在三個畫面那種無所事事頹喪之感，彷如一首波特萊爾的詩。

在他的情人George Dyer死後，他畫了另一幅三聯畫，”Triptych. May - June, 1973”我找資料時意外看到昆德拉對這畫的評語。

"One day the veil falls and we are left stranded with the body, at the body's mercy... reduced to our fear, like in 'Triptych 1973' by Francis Bacon. And if some-one was presiding invisibly over that little horror scene, it was no apparatchik, or executioner, it was a God - or an anti-God, a Demiurge, a Creator, the one who had trapped us for ever by that 'accident' of the body he cobbled together in his workshop and of which, for a while, we are forced to become the soul."
Milan Kundera

這是三聯畫最後一張，情人服毒最後馬桶上之情景。